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Rock Creek Lake in B&W

tyflier

[Insert Witty Commentary]
Some of you saw my topic not long ago about Ansel Adams and shooting monotone landscapes. Well...the bug is still biting. And I've been out shooting...


Granite Cove



TreeScape


Peace in the Valley

All of these were shot in monotone at Rock Creek Lake in Inyo County, CA just before sunset this evening. Any input is greatly apreciated.

Thanks for looking!
 
Just wow, I am a amatuer photography, but I would LOVE to have your kind of camera..
but I dig the tree the most..it's just so dark, and twisted that way.
I would love to hang that tree up on my wall.
KUDOS
 
Just wow, I am a amatuer photography, but I would LOVE to have your kind of camera..
but I dig the tree the most..it's just so dark, and twisted that way.
I would love to hang that tree up on my wall.
KUDOS

I'm using a 10mega pixel, mid-level DSLR. Olympus E-520. I paid around $700 for the camera, a 14-42mm lens and a 40-150mm lens. Not exactly what I would call a "drool worthy" camera...

But thanks for the comments!
 
Again, AWESOME pics, Chris! I had to click on the 1st photo to figure out how you got a perfectly circular "granite something" in a granite cove. Maybe I'm the only idiot who didn't know what it was... LOL.

I like the last pic... reminds me of a Japanese type movie (internment camp days) I saw. They kept showing evergreens in snow...

Boy I am rambly at 3:30 AM...
 
Again, AWESOME pics, Chris! I had to click on the 1st photo to figure out how you got a perfectly circular "granite something" in a granite cove. Maybe I'm the only idiot who didn't know what it was... LOL.

I like the last pic... reminds me of a Japanese type movie (internment camp days) I saw. They kept showing evergreens in snow...

Boy I am rambly at 3:30 AM...

Yea...most of the time I try to clone out or completely avoid lens flare. But I wanted a shot of the granite cliffs against the water, and the sun was relentless. Had I waited for complete sundown...I would not have gotten the shot as I had left the tripod home. So...I took a chance, took a few shots, and the lens flare in this one just popped at me. I liked the form it gave to te cove qwhich was otherwise rather boring.

That last one...that's just the way the light hit the trees as it came across the valley. It missed most of the trees on the hillside but just BRILLIANTLY illuminated these on the beach. I was impressed with the light...
 
The last pic with the pines is absolutely beautiful, I do like the others but the pines caught my eye.
Awesome pics Chris. Thanks for sharing them with us.
 
I'm using a 10mega pixel, mid-level DSLR. Olympus E-520. I paid around $700 for the camera, a 14-42mm lens and a 40-150mm lens. Not exactly what I would call a "drool worthy" camera...

But thanks for the comments!

well, $700 worth of camera...is a drool worthy camera, but your camera is only for the use of photography. My camera which I have, is Sony Cybershot with 7.2 megapixel, and it took me forever to get the good pictures whenever I get too close to animals and bugs.
I have huge collection of my photography of bugs and animals, in my computer..but I gotta say, it was hard work because I had to zoom more than once to get the perfect aim.
 
well, $700 worth of camera...is a drool worthy camera, but your camera is only for the use of photography. My camera which I have, is Sony Cybershot with 7.2 megapixel, and it took me forever to get the good pictures whenever I get too close to animals and bugs.
I have huge collection of my photography of bugs and animals, in my computer..but I gotta say, it was hard work because I had to zoom more than once to get the perfect aim.

Every shot is hard work. If the shots come easy...they aren't right ;).

No really...I try very hard to make the appropriate adjustments "on scene" to get proper exposures. ESPECIALLY for B&W shots. Alot of peolpe shoot in clor and use photoshop or whatever to convert to B&W. I shoot in monotone, and I shoot in zones(A system of exposure developed in the 30's and 40's through the F/64 school of thought, which included Ansel Adams), and I use a variety of lens filters for contrast, light control, saturation, and exposure control.

I try to do as little post processing as possible, but...even the best cameras are limited in the amount of processing they can handle. There is just only so much contrast, sharpness, and saturation that a camera can record. The rest can be boosted in post using any photo editing program.

The reality is...a decent photographer with a solid understanding of exposure, dynamics, tonality, composition, subjectivity, and range can take a good photograph with anything. A person that doesn't understand those concepts on at least a basic level...gets a snapshot from a Hasselblad(a Hasselblad is a full-frame, medium format DSLR...50+mp and costs upwards of $5,000 without the lenses...which are about $6,000 or more each).

The truth of the matter is...if you compose your shots well, and understand exposure and why different exposure values can be equal, but provide completely different results(but the exact same exposure), all you need is something to record your vision. The big, fancy, expensive cameras just give you more of the control you need to make it right...
 
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