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With a Nod to Ansel Adams

tyflier

[Insert Witty Commentary]
I live on the eastern slope of the Sierra Nevada Mountains...border of the Inyo National Forrest and John Muir Wilderness. Stomping grounds of Master Photographers like Ansel Adams, Galen Rowell, Jack Dykinga, and David Muensch. Home to some of the most breathtaking landscapes and vistas in the western U.S. My backyard...

The other day, I had an opportunity to walk around with 3 other local photographers. Sharing space, tips, and ideas with these folks brought me back to my high school days, and my photography courses. One of the most prolific photographers of the 20th century was Black and White GENIUS, Ansel Adams. Where do you think his favorite place to shoot was? You guessed it...my backyard. Some of his most Iconic and lasting images are of the Majestic Mountains that I call home.

While walking around with my camera in hand, I couldn't help but become nostalgic for the days when I used to play around in a darkroom for hours, trying top get a B&W print to come out "just right". Walking with my lightweight digital "kit", I couldn't help but harken back to the day when a camera outfit would way 40 pounds, and men like Adams would still trudge 30 miles from the nearest road to reach that spectacular vista.

So with all of this in mind, I flipped my camera to Monotone, and set forth to make a landscape shot that would pay homage to those Masters whose footsteps I was following in.

bw-tungsten-hills2.jpg


With this image, I tried my hardest to stay true to my roots of photography, and to compose and shoot in the manner of the masters. I used filters for contrast and exposure control. I shot through a series referred to as a "Zone System", in order to get the tone and dynamic range I was looking for. I composed, paying close attention to every object in my viewfinder, and with the urgency of exposing expensive 4X5" tin-plate negatives.

I don't claim to be even a fraction of the photographer that Ansel Adams was, and I doubt I ever will be. But I hope I have at least brought honour and respect to his memory, and homage to his artistry.
 
Chris, I think this shot alone proves that you are well on your way to a master title. I think I can speak for many others when I say... :eek1:

Absolutely breathtaking :cheers:
 
Amazing work Chris.
Very powerful photo, the tones are wonderful throughout.
I can only wish I had landscapes like that to work with!
 
That's one of my favorites shots of yours, ever. I love the large wood/branch in the foreground....if you look at different perspectives of the picture it works in different ways. If you look at the top part with the mountains in the back, it almost makes the branch appear to be just absolutely larger than life...while looking at the bottom part, with the foreground, it puts it in perspective. And looking at it as a whole it just stands out, yet brings the picture together wonderfully. Yes, I love that branch/log.
 
Wonderful shot Chris. Do you select each portion of the photograph (ie foreground, mountains, sky) and edit the levels and exposure separately in photoshop to give it that HDR effect? I have used that technique a few times and got shots like this...

hdr.png


hdr2.png


I wish I had scenery like that in my back yard. You are extremely lucky Chris. All hail Ansel, one of my favorite photographers and inspirations.
 
That's one of my favorites shots of yours, ever. I love the large wood/branch in the foreground....if you look at different perspectives of the picture it works in different ways. If you look at the top part with the mountains in the back, it almost makes the branch appear to be just absolutely larger than life...while looking at the bottom part, with the foreground, it puts it in perspective. And looking at it as a whole it just stands out, yet brings the picture together wonderfully. Yes, I love that branch/log.

In composing the shot, that branch was intended to draw your eyes into the mountains in the background as well as up to the clouds. I had to sit on the groud to get this branch in this shot this way. Ended up with a few fire-ant bites to prove it...

Thanks, everyone, for the comments! But seriously...I have a lifetime of learning before I even get close to reaching a "Master" status. I do alright...but I got a LOOOOOOOONG way to go...
 
In composing the shot, that branch was intended to draw your eyes into the mountains in the background as well as up to the clouds. I had to sit on the groud to get this branch in this shot this way. Ended up with a few fire-ant bites to prove it...

Well it certainly works...the ant bites were worth it!
 
Elle-
No there is absolutely no tone mapping or faux HDR re-touching in this shot. The ONLY post processing invloved is a slight angle correction to the left, and a slight boost in contrast. This is straight outta the camera, only resized:

bw-tungsten-hills1.jpg


The contrast and depth of detail in the clouds and mountains is due to stacking 1stop soft and a 2stop soft graduated Neutral Density filters. This brought my clouds and skies to a 3stop down value, meaning I was able to properly exopse the foreground branch and it's highlights, without blowing out the highlights in the clouds or the reflections in the hazy mist towards the right end of the slope.

I exposed for the mountains in the midground, as they are close to neutral grey. This brought the highlights of the tree branches where they needed to be, but caused extreme clipping in the highlights of the clouds. So I dropped in the graduaetd ND filters to slow down the sky, and shot through 4 zones of exposure, until I found the dynamic range I was looking for without any clipping of shadows or highlights.

You can see in the original that the tonal range is actually quite high for an unprocessed image. The rest was a matter of slight contrast adjustment, and fixing the "slippery slope" angle of the mountains as they fade off to the right... Little bit of High Pass Sharpen, and she's done.
 
So much to think about, but obviously it pays off.
It takes your eye too, guess that's why I have a "Morrison" next to my desk.
 
I agree, the untouched image is stunning. It's got brilliant depth, tone and contrast. I wish I could be a technical photographer. Unfortunately I don't actually understand a lot of the jargon or actually anything about filters etc. I point and click to an extent. I play around A LOT with exposure, aperture and shutter speed more than anything. I don't think I could produce an imagine like that preprocessing...

I have tried to understand the technical side to photography but I just get so lost and confused. I would really benefit from someone showing me first hand instead of reading and trying to figure it out on my own. I've never been out shooting with other armatures never mind pro's before... Come teach me :)
 
...Come teach me...
Buy my ticket, I'll leave tomorrow. You have some absolutely incredible countrysides I would LOVE the chance to photograph. Showing what I'm doing and explaining what I'm seeing would be a small price to pay...:cheers:
 
LOL. I wish I could afford branded food nevermind a freakin plane ticket. But I will keep that in mind if I ever get out of this financial slump. Times are hard dude...
 
Yowza! Every time I start thinking I have a photographic clue, someone comes along with a shot like that. Sigh.

We are truly not worthy! :bowdown: :bowdown: :bowdown:
 
That's so funny Chris! I was looking at that first one on FB this morning and Jen says (looking over my shoulder) "You looking at Ansel Adams?" Great work!
 
Thanks again, to everyone for the comments. And Tom E, if your wife really said that...tell her she made my decade!
 
My girlfriend! ;) Wife and I have been separated since before I joined here.. Divorce on the way, lol.

But yeah Jen's BA is in photography as well, she doesn't do much in it now, she's a teacher by trade. I'll check your link, we'd both proudly hang it!
 
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